away from home and back again

Heading Home

Pushing it to a hundred

flanked by paperbacks and pines.

Their branches tremble,

startled by the high-beam halo.

Velvet Underground

drowning out the engine.

Singing the choruses and

dipping lights for oncomers.

Mumbling the verses

and slowing to eighty

through Balnarring and Hastings.

heading for the city,

the freeway and the lights.

Leaving the winter coast

and the house without curtains

for another weekend.

 

- Adam Ford, Not Quite the Man for the Job (buy it here)

Reading this, I'm reminded of the song Animals by The Guild League, which begins:

Clouds of feathers fleece and foam,
halfway to my childhood home.
In the car and on my own,
white lines where the road is sewn.
Stitches holding down the car,
beside the sun under the stars.
Through the evening coloured so
like pink champagne and eye-shadow.

It's on their album Inner North (buy it here)

thinking about writing, and vice versa

I've always been something of a thinker.

From The Paris Review's The Art of Fiction interview series comes this excerpt:

INTERVIEWER

In Zen in the Art of Writing, you wrote that early on in your career you made lists of nouns as a way to generate story ideas: the Jar, the Cistern, the Lake, the Skeleton. Do you still do this? 

BRADBURY

Not as much, because I just automatically generate ideas now. But in the old days I knew I had to dredge my subconscious, and the nouns did this. I learned this early on. Three things are in your head: First, everything you have experienced from the day of your birth until right now. Every single second, every single hour, every single day. Then, how you reacted to those events in the minute of their happening, whether they were disastrous or joyful. Those are two things you have in your mind to give you material. Then, separate from the living experiences are all the art experiences you’ve had, the things you’ve learned from other writers, artists, poets, film directors, and composers. So all of this is in your mind as a fabulous mulch and you have to bring it out. How do you do that? I did it by making lists of nouns and then asking, What does each noun mean? You can go and make up your own list right now and it would be different than mine. The night. The crickets. The train whistle. The basement. The attic. The tennis shoes. The fireworks. All these things are very personal. Then, when you get the list down, you begin to word-associate around it. You ask, Why did I put this word down? What does it mean to me? Why did I put this noun down and not some other word? Do this and you’re on your way to being a good writer. You can’t write for other people. You can’t write for the left or the right, this religion or that religion, or this belief or that belief. You have to write the way you see things. I tell people, Make a list of ten things you hate and tear them down in a short story or poem. Make a list of ten things you love and celebrate them. When I wrote Fahrenheit 451 I hated book burners and I loved libraries. So there you are. 

INTERVIEWER

After you’ve made your list of nouns, where do you go from there? 

BRADBURY

I begin to write little pensées about the nouns. It’s prose poetry. It’s evocative. It tries to be metaphorical. Saint-John Perse published several huge volumes of this type of poetry on beautiful paper with lovely type. His books of poetry had titles like Rains, Snows, Winds, Seamarks. I could never afford to buy his books because they must have cost twenty or thirty dollars—and this was about fifty years ago. But he influenced me because I read him in the bookstore and I started to write short, descriptive paragraphs, two hundred words each, and in them I began to examine my nouns. Then I’d bring some characters on to talk about that noun and that place, and all of a sudden I had a story going. I used to do the same thing with photographs that I’d rip out of glossy magazines. I’d take the photographs and I’d write little prose poems about them. Certain pictures evoke in me things from my past. When I look at the paintings of Edward Hopper, it does this. He did those wonderful townscapes of empty cafes, empty theaters at midnight with maybe one person there. The sense of isolation and loneliness is fantastic. I’d look at those landscapes and I’d fill them with my imagination. I still have all those pensées. This was the beginning of bringing out what was me.  

Writing advice is helpful, but the kind of bringing out that this writing exercise encourages is a little frightening. I hadn't quite realised to what extent writing requires the writer to bare their soul. I mean, I knew this, I did ... but my soul? To dredge the innermost workings of my brain? My personal histories? My reactions? Ye gads. But Ray Bradbury is (was) wise and I see, I see how this will work, to "write the way you see things". For when all of the stories have been told, then unpicked and written again, it's our unique experiences, and the slightly skewed way each writer sees things, that makes each story a new one.

I shall penser on it some more.

here comes the sun

'Kate!' I hear you saying. 'What are you doing? Why no blog?' And here's me, just a-shruggin' and mumbling, 'I dunno, stuff, work, reading, summer, I dunno whatevs. Anyway, you're not my real mum!'

Here are some of the things I've been reading and watching and listening to and being generally inspired by lately:

Forever YA posted a list of the top ten british shows you could be watching, which made me laugh and reminisce. And I pop Misfits on there as the eleventh show for being hilarious and badass...and in a large part due to this scene (warning: bad swears! and spoilers!) and also the brilliantly anachronistic Ashes to Ashes for DCI Gene Hunt and all the blue eyeshadow and amazing music.

Also, one of my favourite anonymous and inspiring bloggers - The Intern - has outed herself and, extra-excitingly, has a YA book on the way.

And I still can't stop looking at the ANIMALS TALKING IN ALL CAPS.

I've been secondhand book shopping at Lost and Found in Brunswick:

Read as much as you can, and write. Keep notebooks. Be open to everything in the world. Don't give up. Tenacity is the most valuable asset for a writer.

This is a quote from an interview with Joanne Horniman here. I keep it on the wall next to Kerouac's Rules for Spontaneous Prose. I may be failing NaNoWriMo but am practicing tenacity.

The George Harrison documentary Living in the Material World by Martin Scorsese was a four hour cinema experience (including interval) that I hope you didn't miss (though I think you have, but just get the DVD). It is a fabulous look into his life, the contradictions in his personality and his relationship to death and dying. The music, the drugs, the religion. His beautiful son...

Then watch this scene from A Hard Day's Night. It is a hilarious and curious little jibe...maybe even relevant to today's hipsters, hmm? I challenge you not to laugh at lines like "the new thing is to care passionately and be right-wing".



I am also trying to read Haruki Murakami's new book 1Q84. But I'm worried I will drop it on my face while I'm reading in bed and it will kill me with its weighty tome-ness.

Last, but not least, our favorite Witty Waiter down at A Minor Place recorded this song, Against the Grain, and a guy called Dropbear has made this incredible stopmotion video to go along with it. Pencils! What a mad dog. Enjoy.

Hudson - Against The Grain from Dropbear on Vimeo.

the thinkings of a lili: Are you old enough?

this is what lili wilkinson (practically my idol) had to say about deciding whether someone is old enough to read something. she's put it excellently!

the thinkings of a lili: Are you old enough?#links#links

that said, a librarian gave me sonya hartnett's sleeping dogs to read when i was 12 and i read it through to the end and it disturbed me to no end. i've blocked it out and not read it again since. i think i will get on to that, as i'm assured by friends and critics that she's worth it!

lili's recent book pink was ace and her even newer angel fish equally as ace, though very different. i'll post reviews of both here soon.