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Showing posts with label bests. Show all posts
Showing posts with label bests. Show all posts

Sunday, June 4, 2017

don't let the barstools get you down: a farewell

Friends, I've neglected this blog so successfully for a long time. So I'm cutting it free officially at long last. Thank you for reading all my waffle since August 2009.

Since I first posted I've been a bookseller, a nanny, a student, a book reviewer, a publishing assistant, a junior editor, a bookseller, an editor, a bookseller, a production editor and a bookseller some more. And a writer.

I began with my current bests. I shall close with them too.

favourite coffee: Wide Open Road's Bathysphere coffee, but I love it best when served at Heartattack and Vine because it's the most wonderful cafe/bar/my future home.

favourite book: currently this prize goes to Dragonfly Song by Wendy Orr, which is beautiful and lyrical historical fiction set in the bronze age; Doodle Cat is Bored by Kat Patrick and Lauren Marriott, a hilariously funny picture book that espouses the benefits of boredom for children's imaginations; and Jaclyn Moriarty's story 'Competition Entry #349' from Begin, End, Begin: A #LoveOzYA Anthology by Danielle Binks (ed), which is thoroughly original and hysterical and tender.

And I'll add my current favourite news:

My debut YA novel, Untidy Towns, will be published by the University of Queensland Press in October this year. Because apparently, sometimes (if you're lucky) you get everything you ever wanted.



I ran away on a Tuesday afternoon in late March. Six pm and I was headed south-west in a train that smelled stale.

Seventeen-year-old Adelaide is sick of being expected to succeed on other people’s terms. She’s made a new plan: drop out of her fancy boarding school to read and dream. She just needs to stick it out at home for one more year and then she’ll be free.

But before she can work out her next move, Addie’s grandad offers her a job at the local historical society. It’s dusty and messy, like her hometown, like her new life. Then she accidentally kisses Jarrod, the boy who spends his days getting into trouble. But he’s as stuck as she is and Addie starts to wonder that maybe when you really want something in life, you’ve actually got to do something about it.

A heartfelt story about love, friendship and untidy towns.

Please come to the launch party at The Sun Bookshop in Yarraville on Saturday 7 October. (date TBC)

I'll be loitering on the internet at various places...
web: kateodonnell.com.au
twitters: @readingkate
insta: @readingkate

GOODBYE I LOVE YOU KEEP READING

Tuesday, July 15, 2014

my teacher is a monster


Published by: Little, Brown

Definitely my favourite picture book this month*. You may have already read some of Peter Brown's books, actually:

Mr Tiger Goes Wild 


The Curious Garden

If you have, you'll know that not only does he use colour brilliantly and offer a out-of-the-box perspective on the world, but you will also be prepared for all the laughing.

The premise of My Teacher is a Monster is pretty clear from the cover: Bobby's teacher Ms Kirby is a MONSTER. She roars and stomps and is not impressed with paper aeroplane flights in class.

For Bobby, the weekends are bliss. Until the day he arrives at his favourite place at the park to find MS KIRBY SITTING RIGHT THERE.


Without spoiling the rest for you, let's just say that, luckily, our friend Bobby is polite. Also that appearances can be deceiving and you must never judge a book by its cover. (Except this book, because its cover is wonderful.)

An excellent book to read out loud: perfect for classrooms of children, or while sitting on the couch with one or two kiddies, or reading to your grown-up colleague at the bookshop while they try to serve customers.


*I work at a bookshop again!

Tuesday, May 7, 2013

what's a memory?


It begins:

There once was a small boy called Wilfrid Gordon McDonald Partridge and what's more he wasn't very old either.

Have you read it? This most beautiful story is about a little boy who lives next door to an old folks' home, and whose favourite old lady there - Nancy Alison Delacourt Cooper - has lost her memory.

He asks all the people in the old folks' home, What's a memory?

Their answers are cryptic, ethereal, esoteric, even contradictory. It's something that makes you laugh, something that makes you cry. It's something as precious as gold. But, armed with their advice, practical Wilfrid sets off to gather some memories for Miss Nancy, because she has lost her own.


Perfectly written by Mem Fox, this one will break your heart in the best way possible. Wilfrid Gordon might seem to approach memory loss and Alzheimer's disease in a naive, childlike way - and he does! - but this book shows the wonderful way that some memories don't have to stay lost, the way objects can be significant and imbued with meaning and just how important it is to make connections with other people - and not just those from your generation. This is how stories are made, and so I hold Wilfrid Gordon close to remind me.

But don't forget the illustrations! You couldn't if you tried... Julie Vivas is some kind of magical watercolour genius. Her pictures bring the story to life in a way that I don't believe anyone else quite could. And it's not just this book, but the others too: The Very Best of Friends, Let the Celebrations Begin, The Tram to Bondi Beach, and of course Possum Magic*. I love her soft colours and distinctive style, I love the droopy socks, I love her chooks.

I don't remember first being read Wilfrid Gordon McDonald Partridge, but my childhood edition has an inscription:
 To dear Kate
Happy Christmas 1985
Love from Mum and Dad
Meanwhile, pictured here is a first edition copy of this, my favourite book. I was given it as a present for my recent, milestoneish birthday by some wonderful friends. It's an old memory, now wrapped in a new one.

*Possum Magic and I are the same age and, as such, share a strong connection ... though Wilfrid Gordon is my true favourite.

Monday, December 31, 2012

2012 bests

lots of people are making their lists of 2012 best reads and if i made a list it would go on forever, so i've decided to go with just two: a YA best and one grown-up one. as it happens, one is the first book i read this year, the other is the last. this is a kind of symmetry i like. one was first published in australia in 2012, the other is from a couple of years ago, but which i only just got around to reading.

there were many amazing YA titles this year (and A LOT of australian ones), but i'm going with daniel handler's why we broke up, illustrated by maira kalman. i love these guys; loved their collaboration on the picture book 13 words. when i read this i was just about to start work at hardie grant egmont and it made me feel so chuffed that my new workplace had chosen to be the australian home for this book. it made me feel confident that we would get along.

why we broke up

min green and ed slaterton are breaking up, so min is writing ed a letter and giving him a box. inside the box is why they broke up. two bottle caps, a movie ticket, a folded note, a box of matches, a protractor, books, a toy truck, a pair of ugly earrings, a comb from a motel room, and every other item collected over the course of a giddy, intimate, heartbreaking relationship. item after item is illustrated and accounted for, and then the box, like a girlfriend, will be dumped.


beginning to end, all the angst and heartbreak included, this was a delight. all the (made-up) films and movie stars, the references that min made and which baffled ed. the conversations that went around and around, the tangents and segues. why we broke up is a brilliantly written and smart book - plus, so perfectly teenage. min is hyperbolic, feels things so deeply. she's over-dramatic (some might say) and i know there were many adult YA readers who didn't like this one at all. and this, above all, is why i love this book so: a teenager's life should often exclude or baffle an adult and i felt that min and ed and al all had the space to exist as teenagers and as people. they felt real, they spoke their thoughts and got things wrong. they were unlikable, precocious and whimiscal (angsty). and i loved them for it.

***

i don't read a lot of books for grown ups, and even more rarely do i read non-fiction. but i've been coveting patti smith's memoir just kids for a month or so now, drawing it out and savouring it. i finished it this morning; i loved it.

just kids

just kids begins as a love story and ends as an elegy. It serves as a salute to new york city during the late sixties and seventies and to its rich and poor, its hustlers and hellions. a true fable, it is a portrait of two young artists' ascent, a prelude to fame.


smith's prose is dreamy and yet straightforward, it's intimate but not self-exploitative. i knew so little about her life, and littler still about her relationship with robert mapplethorpe. this was such a special book. i loved the way she spoke about all those crazy cats who inhabited manhattan and brooklyn and paris in the 60s and 70s - it was just life, it never felt like she was name-dropping or big-noting. i appreciated the solemn, serious and dedicated way she approached her art. i think this is one i will read again and again.
yet you could feel a vibration in the air, a sense of hastening. it had started with the moon, inaccessible poem that it was. now men had walked upon it, rubber treads on a pearl of the gods. perhaps it was an awereness of time passing, the last summer of the decade. sometimes i just wanted to raise my hands and stop. but stop what? maybe just growing up. (p.104)
happy new year!

Tuesday, December 11, 2012

the quiet

Writers are told not to write down to young adult readers, but I can’t help but feel that this is constantly happening today—it simply doesn’t take the form that we might imagine it to. By giving readers books that are all about taking down the state or fighting werewolves we’re implying that it’s only these problems that are of any value, that the everyday teenage experience is otherwise something that should be easily navigable. I can’t think of any worse way than putting down a reader than by suggesting that their lives do not merit reading about.

In addition, by excising all of the quiet space that exists in these classic books in order to make room, make room! for more attention-grabbing plot, we’re denying readers the thinking room to be able to truly experience all of the wonders of reading. We’re assuming that they want their reading experience to be as little like a reading experience as possible, and the result is books with narratives that stream by like tickertape. I can’t help but wonder whether they’ll be forgettable, these books that disallow readers the space that we need to reflect on a story, to engage with it, and to draw our own conclusions.

Not all readers read to escape, nor do they necessarily read in order to live vicariously as action heroes. Sometimes readers read to identify, to make a friend who’ll remain with them forever, and to be charmed. Sometimes they want to be able to read a book that gives them the space that they need to think about the questions posed by the book, and to answer them themselves.

Surprisingly often, too, it’s the quiet books that are the ones that change lives.

from Stephanie at Read in a Single Sitting

I love the quiet books, they're my favourite. And Anne, above all. I think Stephanie is so right when she says that there are readers who want this kind of book. It's really important that there are slow reads, tales that meander, language that dips and peaks and swirls, the characters who (like Anne) just grow up, and be.

It's good for our brains to read these kinds of books. Life is so hectic and noisy and barrelling along, surely we don't always need our books to push us through their plots helter-skelter. It makes me exhausted! Even now I'm struggling to think of the quiet stories, to give examples. I constantly feel busy (which is total bollocks, I'm not so busy really). When I sit back and try to think about the quiet things I end up just getting distracted...I don't know when my attention span shrank so.

Here is what I did this evening:

Had dinner with a friend.
Wandered homeward.
Read through twenty pages of the story I'm working on. It's awfully rough. Found many lines that made me cringe, found other that made me happy to keep working on this. Found a nice quiet moment that I had written. Who knows if it will end up even in the first draft, but it's here for now:

Neither of us had eaten olives before, except accidentally on pizza. They were salty and fleshy and when I licked at my lips it felt like I'd been swimming in the ocean and, when I said so, J said he felt the same.
  I said, 'If you ever give me a book as a present you have to write in the front of it.'
  'Ok,' he said.
  We guzzled water from the garden hose because it was closer than the house and we were so warm, there on the slope. The pony grazed by us, huffing when a grass seed went up his nose. We smelled all the smells. At least I did, I couldn't speak for J.
  'I reckon spring's around the corner,' he said. 'Smell that?'
  I read a book once about a girl who jumped into a river just because she wanted to see what it felt like.
  I couldn't help jumping.

Then I read some blogs.
I started writing this post.
I made some sodastream with elderflower cordial.
Pulled Anne of Green Gables, Anne of the Island and The Story Girl out of my bookshelf and just put them on the floor for later.
I put on some washing.
Tried to write some more of this post.
I tried to call my parents - they didn't answer.
I've been writing this post for hours. I just kept getting distracted.

This past weekend I was in Tasmania for the wedding of a great friend. I travelled down with my uni gang. We are a very noisy bunch, loud and sometimes crass, always talking and arguing and gossiping; all of us celebrating almost eleven years of friendship.


On the Sunday night, after the wedding was over and the weekend coming to an end, we walked up the beach at dusk to watch the penguins come in. We sat on a big rock and got colder and colder, but we waited. And when the first lot of penguins rode in on a turquoise wave we became quiet, pointing at first, whispering - over there! and there are some more! - and then watched for an hour in absolute silence as they came out of the water and over the sand and the rocks and up into the scrub to find and feed their babies.


The penguins were spectacular, but the quiet was the best.

May there always be quiet times. May there always be quiet, life-changing books.

Sunday, September 23, 2012

ffor the love of fforde

I would that you'd excuse me my absence. I'm on something of a reading binge. A re-reading binge. A Ffordian, Thursday Nextish re-reading binge. I began with the latest release, The Woman Who Died A Lot, and then had trouble recalling the rest of the series (I suspect a mindworm) and the rest is the last week of my reading history.

First Among Sequels not pictured, and One of our Thursdays is Missing is missing, but you can read a review here.

This series is just delightfful. And so clever. The idea is that Thursday Next is a Literary Detective with SpecOps. They police things like counterfeit Shakespeare plays, bootleg copies of Dickens and stolen manuscripts. But it's when Thursday realises that she has the ability to actually enter books and interact with the characters within that it really gets interesting. The world Fforde has built is bonkers: it's an alternative world where the Crimean War is still ongoing, Wales is a socialist republic, people travel by airship or these ace Gravitubes (UK to Australia in about 45 minutes or so), cheese is a rare commodity - sometimes smuggled illegally across borders - and, best of all, people prize books and literature above most things.

Wouldn't you love a tv series based on these books? I know I would. Kind of Doctor Who meets Lost in Austen with a dash of Life on Mars via your local bookshop.

Tuesday, July 17, 2012

KYD YA Championship

Kill Your Darlings have asked a whole lot of book-reading, YA-loving, story-defending people to passionately put forward the case for a particular Australian young adult book from the past 30 years. The posts will go up between July 30 and August 17 on their blog.

Then, it's over to everyone else. That's you. Once you've calmly and rationally read all the persuasive posts and weighed the choices and considered it properly and seriously, you can vote for my chosen book to win. How fun!

Actually, you can vote for whichever title you would like, and there will be a top three. You'll also be in the running to win a whole bunch of books from Penguin, Allen & Unwin and Hardie Grant Egmont*.

The book I'm championing is one of these ones. It also appears here ... though perhaps not one of the ones pictured *hint hint*.

But what was really hard is that there are so many amazing, brilliant, canonical, damn-tootin' excellent and fab Australian YA books from the past thirty years (which is almost my whole lifetime) that I wished I could have campaigned heartily for more. But I could only stand behind one, so I've gathered my lackies and we're getting behind my title with - err - croquet mallets (?) in hand.


Visit the Killings blog here.

*Disclaimer, or whatever: I work for HGE. 

Wednesday, June 6, 2012

90s YA classics

Come, gather round, ye young adults of the 1990s! What were the the stories you leafed through during your painful adolescences? These were some of the significant titles of mine:


People Might Hear You (Robin Klein) Frances' aunt and guardian has married a man who belongs to a religious cult and soon Frances is literally locked inside a big house and forced to live - and frightened into living - by their restrictive rules. This is one that's as powerful on my 32nd reading as it was on the first. The powerlessness that she feels, the same feeling that Professer Umbridge evokes in The Order of the Phoenix ... shudder.

Steven Herrick's Love, ghosts and nose hair. Probably the first verse novel I read and still one of my favourites. And its sequel A Place Like This. Guitar Highway Rose, which I've blathered on about in the past. Not to mention After January, by Nick Earls: the best in-between-school-and-the-real-world novel, and which you can read about here and here.

Cried my way through Peeling the Onion, about karate champion Anna and the trauma she goes through following a terrible car accident. Wendy Orr's book is wonderfully written - the descriptions of Anna's pain and the ways she shows how Anna's accident affects the rest of the family, and her friendships. Caused me anguish, but gives us all hope!

And Isobelle Carmody's terrifying The Gathering, which our grade 6 teacher Mrs Chappell read to us and we sneaked in during lunch to read ahead ... and we read ahead to chapter 26 when the terrible, awful, sickening thing happens. The stench of Cheshunt, the frightening Kraken and the group of mysterious misfits that Nathanial meets - it's a story of good and evil, light and dark. It's that brilliant mix of real world and paranormal that grabs you and draws you in, almost against your will.

Before David Levithan and Rachel Cohn paired up to write their dual-narrative books, Gary Crew and Libby Hathorn wrote Dear Venny, Dear Saffron, which tells the story of bogan Vinny and New York City artist Saffy, who begin exchanging letters and we follow their stories over a couple of years and all the amazing highs and devastating lows of their lives.

There were others: Queen Kat, Carmel and St Jude Get A Life (Maureen McCarthy), and Margaret Clark's ridonkulous backlist, Joanne Horniman's Loving Athena, Libby Hathorn's Thunderwith. Letters from the Inside and Tomorrow, When the War Began (all of John Marsden's, actually), Touching Earth Lightly by Margo Lanagan, Phillip Gwynne's Deadly, Unna?, Borrowed Light by Anna Fienberg. I think this is a list to be continued. Watch this space.

When I read books now I try to think of what my teenage self would think. It's harder than it seems. I'm more of a cynic now, and I don't read YA in order to experience things (which i think is one of the greatest strengths of YA). Perhaps there's a sense of nostalgia. How lucky was I to have a bookseller for a Mama Bear?

Memory Lane, The Basics*






*oh Gotye. I'm still "looking over my shoulder" for you to come back to The Basics. *UPDATE* The Basics show at the Empress on 22nd July was the best thing - thank you Wally, for obviously reading this blog and putting the show on for me. Or the Empress's 25th bday, whatever.

Thursday, May 31, 2012

Ira in my life

When I listen to This American Life podcasts I usually spend most of the hour looking like this:

Beth "cry-baby" March
But it is totally worth it for the surprising, entertaining, shocking, hilarious and and nearly always moving stories that it collects and presents.* Like the episode Neighbourhood Watch, in which an older woman searches for people who might volunteer to be friends with her middle-aged Autistic son, so that when she dies he won't be left all alone. In which we hear about how regular everyday postmen save lives, stop fraud and get to know the people they deliver mail to daily. In which a man takes his baby daughter for a walk around the block for the first time and it's the most terrifying walk he's ever taken - because he's blind.

Also, I have a rather large crush on the nerdy host, Ira Glass. 

Ira "HandsomeInGlasses" Glass
When he came to town earlier this year I discovered I was not alone in my affection. Dagnammit. Many fellow admirers packed out the Athenaeum Theatre**. That time he wandered the stage, controlling music and audio clips from the iPad cradled in his arm and talked about what made a great story, and how great a medium radio is for telling these stories.

But now! Now you can go to the Cinema Nova and you can watch a two-hour long live This American Life show - with bonus visuals! Great animations, a short film, dance, music - the works! A cast of impeccable storytellers, and dishy Ira. It's absolutely brilliant, and includes David Sedaris. Wouldn't it be great to bottle these real life stories and then take them apart to figure out how to recreate it in fiction? Are they so amazing because they're spoken out loud, usually by the people to whom the story actually happened?

The very visual story about the discovery of Vivian Maier's photographs was the highlight for me, I think (oh, it was all so good). Check out her amazing photographs from the 50s and 60s here.

photo by Vivian Maier
Get tickets here. Last shows this weekend.

Visit the This American Life website.

* Totally worth the ugly, chin-wobbling sobfest. I just don't listen on the tram anymore. 
**Threatening via twitter to throw their undies.

Sunday, December 25, 2011

a very happy christmas to you all

in the tradition of fabulous, large and delightful families in fiction - here i'm thinking of natalie standiford's sullivan family, or the casson family by hilary mckay or even the radlett family from the fabulous nancy mitford - here is the most very best christmas video by the gorgeous and hilarious gladstone family. may all your christmases be as madcap as this!


go to charlie and caroline's blog here.

Tuesday, September 20, 2011

"i prefer stories about squalor"

THERE WERE ninety-seven New York advertising men in the hotel, and, the way they were monopolizing the long-distance lines, the girl in 507 had to wait from noon till almost two-thirty to get her call through. She used the time, though. She read an article in a women's pocket-size magazine, called "Sex Is Fun - or Hell." She washed her comb and brush. She took the spot out of the skirt of her beige suit. She moved the button on her Saks blouse. She tweezed out two freshly surfaced hairs in her mole. When the operator finally rang her room, she was sitting on the window seat and had almost finished putting lacquer on the nails of her left hand.

She was a girl who for a ringing phone dropped exactly nothing. She looked as if her phone had been ringing continually ever since she had reached puberty.

With her little lacquer brush, while the phone was ringing, she went over the nail of her little finger, accentuating the line of the moon. She then replaced the cap on the bottle of lacquer and, standing up, passed her left - the wet - hand back and forth through the air. With her dry hand, she picked up a congested ashtray from the window seat and carried it with her over to the night table, on which the phone stood. She sat down on one of the made-up twin beds and - it was the fifth or sixth ring - picked up the phone.

~A Perfect Day for Bananafish, JD Salinger

At the risk of being a total cliché hipster doofus*, I hereby proclaim my love and awe and adoration for the short stories of Mr Salinger. He can create atmosphere and character like nobody's business, like in the piece above. He can write dialogue that leaps sprightly from the page, at once being mere banter while also ringing with subtext.


Salinger often wrote about young people, about teenagers and innocence and experience. His story For Esmé - With Love and Squalor breaks my heart every time. Like Sybil in Bananafish Esmé and her small brother Charles** are beautiful foils to the damaged adult to whom they speak and with whom they interact. Perhaps they can't save them, but sometimes they can.
You take a really sleepy man, Esmé, and he always stands a chance of again becoming a man with all his fac - with all his f-a-c-u-l-t-i-e-s intact.
I think I prefer his short stories to The Catcher in the Rye (eek! the Catcher cult will be after me!), possibly because there are more of them, and I adore the Glass family. Also because, taken as a whole, they give the reader such a fascinating peek at America in the 50s and the middle and upper classes as they existed post-war. He can make you laugh and break your heart all in the space of twelve or so pages. How's that for inspiration? And emotional squalor.


*See the film (500) Days of Summer - "just because someone likes the same bizarro crap you do doesn't mean you're soulmates." (This line even delivered by the film's own version of Holden Caulfield's kid sister Phoebe)

**The evil sister and I often recite to one another, with great amusement: HELLO HELLO HELLO HELLO LOVE AND KISSES CHALES.

Friday, September 9, 2011

reading

My very good friend Arthur drew this picture on the weekend:



He's in Prep and did the drawing and writing all by himself. Last time I saw him he couldn't read or write. Now he can, and it is like a whole new world has opened up for him. He even had a crack at spelling hipop hipoppot hip - oh nevermind.

Quite incredible, the power that comes from being able to read and write, isn't it?

Yesterday was Indigenous Literacy Day. But you can still support the Indigenous Literacy Foundation today, and tomorrow, and next year. Go here to read all about it, and maybe donate so kids in remote communities can have access to books and words.

Wednesday, August 24, 2011

review : yellowcake

yellowcake, margo lanagan (allen & unwin)

forgive me.

i read this a long time ago and meant to write about it straight away, but the stories cased within this beautiful cover are not simple tales to read and flippantly comment on. they are convoluted and mysterious, beautiful and twistedly grotesque.

heads remains looming in my mind, the story in which a golden haired boy portrays innocence and busyness and a sense of purpose in a horrible world where something awful has happened and he's not sure why.

also ferryman, which broke my heart with its light and loving banter between father and daughter ("scowling sarah") combined with the grief and "the ragged crying all around us in the hole, that is me; these two are silent in their cleaving. i lean and howl against them and at last they take me in, lock me in with them."

a honest day's work is truly a stand-out as well, in which a townful of labourers working to butcher and make use of a beast washed up in their harbour, as told from the perspective of a young boy with a crippled foot participating in his first day of work. watching for the 'sizable' 'incoming' and the careful work they do, slicing here and oh watch out, a nerve has made the arm jolt. no - the beast awakens. when it stands, tries to put its skull back on - at once revolting and most certainly fascinating. and the guilt and the shame is evident, at the way they carry out their work, hardly considering the life form that once was. "it could be mistaken for a person, this one." fracks. i have shivers, and a sinking feeling in my stomach, even now.

and if i may borrow from my friend clare, whose review in bookseller+publisher was just...just so.

she wrote: each piece in this collection is truly elegant, and each possesses a haunting, often unnerving quality that leaves the innards of the story lingering long after the last page is turned...lanagan's masterful use of language continues to astonish, with turns of phrase so perfect that you want to roll them around in your mouth until all the goodness is sucked from them and her ability to create powerful stories that demand serious contemplation is unrivalled. the often dark subject matter varies greatly, as each story is wildly different, but the skill with which it is handled is never compromised. yellowcake should eked out over time, each story to be savoured.

what is truly impressive - and is evident in all of margo's work - is the way she can create a world, a community in her stories, no matter how short. she breathes life into her characters and her settings, using language in such a wonderful and inventive way. she explores the physical in a way not many writers do and every story will just blow you away. mindfuck, yes. comfortable, not always.

inspiring and overwhelming? yes, always.


read this review by raych of books i done read.

go and read margo's other books: white time, black juice, red spikes, tender morsels and the upcoming "selkie novel" now officially named sea hearts.
you can also read her blog: among amid while.
many thanks to margo for sending me a copy.

Saturday, August 13, 2011

expression is the need of my soul

talking about archies the other week put me in the mind to re-read the wonderfully hilarious poems of archy and mehitabel by don marquis. archy is the reincarnated spirit of a free verse poet, now a cockroach living in a new york newspaper office. at night he scurries out and types poems by jumping and slamming his wee cockroach head onto the typewriter keys - hence lack of capitalisation and most punctuation. the idea is that the newspaper men happen upon the poems in the morning and start printing them as a column.

and here's a piece, a selection, from right near the start:

"expression is the need of my soul
i was once a vers libre bard
but i died and my soul went into the body of a cockroach
it has given me a new outlook upon life
i see things from the under side now
thank you for the apple peelings in the wastepaper basket
but your paste is getting so stale i cant eat it
there is a cat here called mehitabel i wish you would have
removed she nearly ate me the other night why dont she
catch rats that is what she is supposed to be fore
there is a rat here she should get without delay"

archy's poems give a beautifully satirical view of life in nyc in the twenties and thirties, the excesses and toughness of those decades. the poem "certain maxims of archy" is particularly memorable and includes stanzas like this:

"don t cuss the climate
it probably doesn t like you
any better
than you like it"

and

"prohibition makes you
want to cry
into your beer and
denies you the beer
to cry into"

and

"boss the other day
i heard an
ant conversing
with a flea
small talk i said
disgustedly
and went away
from there"

and

"the bees got their
governmental system settled
millions of years ago
but the human race is still
groping"

alley cat mehitabel, in her many previous lives, once lived much more grandly than she does now (once she was cleopatra). but she's toujours gai, darlinks, toujours gai even when she's down on her luck and or burdened with kittens. mehitabel never intended a life of matrimony or motherhood:

"the life of a female
artist is continually
hampered what in hell
have i done to deserve
all these kittens"

archy interviews pharaohs in the museum, has a radio interview with mars and one time finds the shift lock (caps lock) key and experiences the JOY OF CAPITAL LETTERS. hilariously funny yet sometimes tragic and cynical, you must get a copy without delay. and what's more, the best of archy and mehitabel is going to be published in october! go, demand your local bookshop order it in! i am placing an order for at least twenty-three as i type this.

go to the don marquis website for more on archy.

Monday, July 18, 2011

fairytale 2.0

little red: a fizzingly good yarn, rapunzel: a groovy fairytale and cinderella: an art deco love story by david and lynn roberts (anova)

they've been unavailable for a little while, but i'm so glad to have these three kooky fairytales back in stock. they're so wonderful and offbeat: in little red the small boy, when confronted by the granny-swallowing wolf, offers his attacker some fizzy, burp-making drink. in cinderella a leek makes a limousine and the ugly sisters do the charlston. and in rapunzel (my favourite) our heroine is locked in a flat high in an apartment building where she listens to david bowie and the prince is in a band. if you've got any small people to shop for - these are brilliant.

Wednesday, June 22, 2011

just for the loveliness

darren hanlon sings his song home (from album i will love you at all, which i reviewed here) on a beach. in spain. how wonderful.









DARREN HANLON - HOME from WAAAU.TV on Vimeo.



visit daz's website.

Thursday, June 9, 2011

something old

when one doesn't have anything nice to say, it's best not to say anything at all. apparently.

these days it isn't that i can't think of anything nice to say (quite the contrary) but blogging feels like a chore. so i shan't worry myself, but instead offer a little peep at some nice things, which may or may not interest, but what the heck.

wonderful classics*:


and my (and everyone else's) absolute favourite rereads:


and gorgeous wee stories like this one:


if only for tales that start like this:

"once upon a time milly-molly-mandy was going for a picnic.
it was a real, proper picnic. father and mother and uncle and aunty were all going too, and little-friend-susan and billy blunt (because it wouldn't seem quite like a real, proper picnic without little-friend-susan and billy blunt).
they were going to take the red bus from the cross-roads to a specially nice picnic place, where milly-molly-mandy hadn't ever been before because it was quite a long way off. (the nicest places often do seem to be a long way off, somehow.)"

and that include the little gang of picnickers tidying up the picnic ground, which had been ruined by terrible litterbugs, because "mother said: 'i think a place ought to look nicer because we've been there, not nastier!'"

also, i joined twitter and it makes me feel kinda dirty (but can't stop), so i'm taking refuge in worlds where tweets only happen between birds.

*a confederacy of dunces, john kennedy toole. tess of the d'urbervilles, thomas hardy (damn you angel!). little women and good wives, louisa may alcott. selected poems, ee cummings. the heart is a lonely hunter, carson mccullers. for esme with love and squalor, jd salinger. jane eyre and wuthering heights, charlotte bronte and emily bronte. the secret garden, frances hodgson burnett.

Friday, May 20, 2011

an awfully exciting gift



i haven't read it yet. just keep touching it. and looking at it. and reading the bit that says "for kate". i'm sure the rest of the book will be just as good as the bit that says "for kate".

thank you, thank you to our lovely walker rep, who is beautiful and stylish and kind.

Wednesday, April 27, 2011

she keeps a 38 smith and wesson at her side

the felice brothers melbourne show at the prince of wales, st kilda


If Bob was far away, then The Felice Brothers were the opposite. In my face. Steppin' on my toes (literally. Ian jumped off the stage and cheered his own band from the crowd) and LOUD. Some of their enthusiastic singer-spit even flew at us and we didn't even mind, because everyone was having a good time...except that douchebag who was being an annoying douchy loser, but even he I forgot, once the guys came out and launched into Murder by Mistletoe - honestly, an interesting, slow choice for an opener, but we just went with it. And fracks, it was a great show.


These self-confessed "dirtbags from New York" looked a little, um...sleepy...when they first came onstage but distinguished themselves well and leapt around stage, talking to us, talking to one another in between the songs. James and his piano accordion were spectacular, in particular his solo song Got What I Need (I think many of us fell in love with him). And the bread thrown into the audience? Fabulously hilarious! 'Take this bread if you need it friend...'

The crowd were all fans (well, those at the. very. front. row. where we were, err were) and of all ages. They came back on for a rambunctious encore, including a great scrappy version of Frankie's Gun. Then, a second (and hard-earned, on our part) encore of Whiskey in my Whiskey. I could have stayed all night. And a friend pinched the set list.

Love 'em.

My baby told me, darling
If you can't get a pardon better get a parole
I told her I'd be out by morning
When the sun is dawning
With a money roll
Oh-wee that gal's the gal for me
She loves me tenderly
-- love me tenderly

Saturday, April 23, 2011

his bobness : live in melbourne

the two men sitting behind me at rod laver arena discussed the furore that followed dylan going electric at newport in '65, but of course his tour in australia in '66, well there's just not a lot written on it...i love a dylan tragic. they were out in force at the rod laver arena last wednesday.

papa bear and i just hoped bob would sing something we could recognise. he did. in his own special way: a voice that sounds like he's gargling whiskey and gravel, a spiffy suit and hat and a couple of rockin' dance moves. i swear it's contrariness that sends his songs spinning in a new arrangement every year. highlights for me were tangled up in blue and simple twist of fate. they were closer to the originals and the band didn't bang on too loud or too long.

rod laver arena sucks though. bob was just too far away. so impersonal. and chilly. i don't think i shall go there again. it had none of the ambiance of other old rocker concerts i've been to.

did i say that bob was far away? (click to enlarge) though the lighting was fantastic, in the absence of screens (damn your contrariness bob!) his silhouette was uplit and projected large onto the back of the stage - i could philosophise on the many meanings behind this, and interpreted from this, larger-than-life, a false modesty, ...

he finished the evening with forever young. a beautiful song, which is now a fab children's book with great illustrations, full of references to his songs and his life. perfect for the offspring of dylan tragics.

May your hands always be busy
May your feet always be swift
May you have a strong foundation
When the winds of changes shift
May your heart always be joyful
May your song always be sung
May you stay forever young

trailer for the book:


reviews of the concert here and here.